Category: Ethics

While it might seem odd, the debate over the ethics of eating meat is an ancient one, going back at least to Pythagoras. Pythagoras appears to accept reincarnation, so a hamburger you eat be from a cow that had the soul of your reincarnated grandmother. Later philosophers tended to argue in defense of eating meat, although they took the issue seriously. For example, Augustine considered whether killing animals might be a sin. His reasoning, which is still used today, is based on a metaphysical hierarchy. God created plants to be eaten by animals and animals to be eaten by humans. This conception of a hierarchical reality is also often used to defend the mistreatment of humans. Saint Thomas also considered the subject of killing animals, but ended up agreeing with Augustine and arguing that the killing of an animal is not, in itself, a sin.

 There are philosophers who argue against eating meat on moral grounds, such as Peter Singer. These arguments are often based on utilitarianism. For example, it can be argued that the suffering of the animals outweighs the enjoyment humans might get from eating meat. This argument does have some appeal, for the same reason that arguments against murdering humans for enjoyment can be appealing. There are also arguments about eating meat that are based on practical considerations.

One category of practical arguments in favor of eating meat is based on concerns about health. Some people argue that a person cannot get enough protein from non-meat sources; but this is patently untrue: there are many excellent non-animal sources of protein such as beans, peas, and quinoa.  

A better practical argument is based on the difficulty of getting essential nutrients from a purely plant-based diet. For example, getting enough iron is a problem. But the nutrient issue is relatively easy to address by using supplements and fortified foods—something meat eaters also often do. So, while eating a healthy non-meat diet can be challenging, it is not exceptionally difficult nor is it unusual—after all, even meat eaters often face the challenge of getting all the nutrients they need. But this is a reasonable practical concern.

In addition to the moral and practical arguments for eating meat, there is also a rhetorical tactic of characterizing eating meat as manly and eating plants as weak. The implied argument here is probably that men should eat meat because otherwise they will be perceived as weak rather than manly.

 Various evolutionary explanations have been offered for this perception, such as the idea that when humans were hunters and gatherers, the men did the hunting and the women did the gathering. But women presumably also ate meat while men also ate the gathered foods. In any case, what our ancestors did or did not do would not prove or disprove anything about the ethics of eating meat today.

As one might suspect from the idea of a “Manly Meat Argument”, sexism is often employed in this rhetoric: vegan or vegetarian men are not manly men and perhaps “might as well be women.”  This is, of course, not an argument to prove that eating meat is morally good but an ad hominem attack, probably intended to shame men into eating meat.

Another common rhetorical tactic is to mock vegans and vegetarians by unfavorably (and mockingly) comparing hunting animals to “hunting” plants. The idea, one infers, is that hunting an animal is a dangerous manly activity, presumably worthy of praise. In contrast, “hunting” plants is safe and unmanly, presumably only worthy of mockery.

Those using this rhetoric probably do not realize that they are also insulting farmers (who are usually praised by these same people). After all, this rhetoric implies that farmers are unmanly and should be mocked for growing plants.

Having grown up hunting (and fishing) I know that hunting does involve some risk; but the #1  danger in deer hunting  is falling from a tree stand (wisely, I always hunted on the ground) rather than being wounded in an epic battle with an animal. While I would respect the prowess of someone who could take on a buck in hand to hoof combat with nothing but a knife or spear, modern weapons make killing animals ridiculously easy. That said, hunting does require skill, but so does farming. Farming requires battling pests and the elements, so it seems odd to cast it as “unmanly” and mock it.

The manly “argument” becomes absurd when made by people who buy their meat rather than hunting for it. After all, the danger faced when buying a steak is the same as that of buying tofu. Since I grew up hunting in the Maine woods, when some fancy lad (who would be killed and eaten by raccoons) makes the manly meat argument on the internet, I must laugh at them. That said, this criticism does not show that hunting meat is not more manly than gathering plants—it just shows the absurdity of people who buy their meat mocking vegans and vegetarians by unfavorably comparing hunting meat to gathering plants.

But perhaps the manliness of eating meat is not about having the skill to track and defeat an animal in the wild, but it is about the suffering of the animals. That is, eating meat is a manly gesture of cruelty and a lack of compassion. Factory farming is a moral nightmare of abuse and suffering. So, perhaps eating meat is for hard men while caring about the suffering of other living things is for soft ladies. On this view, the cruelty is the point and that is why eating meat is manly. Ironically, this would seem to be an immoral argument for eating meat—people should eat meat because doing so supports cruelty.

It could be countered that there are ethical ways to raise animals for food—free range, cruelty free and all that. But the risk of this sort of reasoning is that it acknowledges that the suffering of animals is wrong and moral consistency would seem to require that one give up even this meat—after all, an animal must still be killed before it would naturally die. But it is reasonable to think that the treatment of the animals prior to their execution is morally relevant to the moral issue. But this would not say anything about the manliness of eating meat and might seem less manly to eat meat resulting from less cruelty.

I do understand there can be times when survival requires killing and eating animals and a good moral case can be made for doing this. I also get that some people need to hunt for their food; they are certainly not to be condemned. But this is distinct from the manliness of eating meat.

While I get the concern with defining what it is to be a man, I am inclined to think that it is not fundamentally a matter of what one puts in their cart at the grocery store or orders at Taco Bell.

Being nerdtastic by nature, my nerd sense picks up disturbances in nerd culture. One of the loudest types of disturbances is when people express outrage at gender and race swapping involving established characters. For example, when word that there would be a non-white Spider-Man, social media erupted with rage about wokeness. But are such criticisms automatically bad?

On the face of it, there can be reasonable criticisms of such swaps. One common criticism is that the swap is motivated by a desire to pander to a specific audience and this pandering should be condemned. A problem with this criticism is that while pandering could result in a worse work of art, pandering does not entail that the work is therefore bad from an aesthetic standpoint. An obvious problem with this criticism when it focused only on swapping is that what is labeled derogatorily as pandering is likely to be an attempt to appeal to a target audience. Those who bash works for pandering via swapping generally do not bash works that have white male characters (and actors) selected to appeal to a target audience. As a specific example, it would seem odd for most critics to bash the Top Gun movies for pandering to an easily identified target audience. And I certainly would not attack Top Gun for doing this. After all, if you want people to watch your films or read your books, you do need to appeal to your audience. Naturally, if efforts to appeal are done badly and harm the work, then this would be a reasonable criticism but this has no necessary connection to wokeness.

Another common criticism is that such swapping is the result of laziness and that new characters should be created instead of swapping existing characters. There is usually also the criticism that the swap is made to cash in on an existing intellectual property and not due to a good aesthetic reason, such as meaningfully exploring the swap. This criticism does have some bite but is more a criticism of the way capitalist media companies operate rather than proof that wokeness is killing art. Companies certainly engage in this practice, since they can churn out more content dressed in an established IP without the effort and risk of creating new characters. But to be fair, this does make good business sense. At least until the audiences become exhausted with the companies milking their IP. Once again, there is no necessary connection to wokeness.

A third common criticism takes us into the matter of aesthetic identity of fictional characters. In metaphysics, the problem of personal identity is the challenge of determining what (if anything) makes an entity the same person across time, distinct from all other people and things. This is a difficult problem because you need to work out the metaphysics of personhood and identity. In the case of aesthetic identity, the problem is a bit less daunting. For in-world identity of characters, this is settled by author fiat. For example, if a person is a soul in a fictional world, whatever body has that soul is the same character. But this does not settle the matter of aesthetic identity in the real world, which is the problem of sorting out what makes a character the same character. I think the easy and obvious answer is that aesthetic identity is a social identity: being the same character is a matter of the audience accepting the character as the same. But, of course, people can make good faith rational arguments about why people should or should not accept a character as being the same. As an example, Batman has changed over the years and there have been heated fights over the various actors portraying the character in the movies. But Batman is generally accepted as still being Batman, despite these variations. In the case of Batman, a gender-swap could probably be criticized in a good faith manner. After all, Batgirl and Batwoman are already established characters. In the case of Black Panther, swapping in a white or Asian person could be criticized because of the centrality of Black Panther’s blackness in the character. That is, a white Black Panther would not be the same character. That said, someone could make a good story looking at a female Batperson to explore what would be different if Bruce Wayne had been Betty Wayne or what impact having a white person as the Black Panther might change. In any case, valid aesthetic criticisms of swapping would seem to have no meaningful connection to wokeness or lack of wokeness.

I was a bit reluctant to voice my agreement with these criticisms since they are often used as dog whistles for racism and sexism. But they are used in this manner because they do have merit in their proper context. This raises the question of how you can discern the difference between a good faith criticism of swapping on aesthetic grounds as well as criticisms of capitalism motivating companies to make lazy efforts to milk their intellectual property and bigoted attacks on works using the swapping criticism as a dog whistle. This can be challenging, but there are often cases where the critics lay out their explicit sexism and racism.

 

A good example of this is the Battlestar Galactica (BSG) reboot. These days, some have gone as far as to claim that BSG was the last non-woke sci-fi series and now the Kara Thrace (Starbuck) character is well-liked and rarely attacked by the anti-woke folks. But back in the day, BSG was attacked for being a “social justice” show and Dirk Benedict, who played Starbuck in the original series, attacked the decision to cast a woman in the role of Starbuck. While this reboot aired in 2003, Benedict’s criticism will sound quite familiar today:

 

The best minds in the world of un-imagination doubled their intake of Double Soy Latte’s as they gathered in their smoke-free offices to curse the day that this chauvinistic Viper Pilot was allowed to be. But never under-estimate the power of the un-imaginative mind when it encounters an obstacle (character) it subconsciously loathes. ”Re-inspiration” struck. Starbuck would go the way of most men in today’s society. Starbuck would become “Stardoe.” What the Suits of yesteryear had been incapable of doing to Starbuck 25 years ago was accomplished quicker than you can say orchiectomy. Much quicker, as in, “Frak! Gonads Gone!”

 

And the word went out to all the Suits in all the smoke-free offices throughout the land of Un-imagination, “Starbuck is dead. Long live Stardoe!”

 

I’m not sure if a cigar in the mouth of Stardoe resonates in the same way it did in the mouth of Starbuck. Perhaps. Perhaps it “resonates” more. Perhaps that’s the point. I’m not sure. What I am sure of is this…

 

Women are from Venus. Men are from Mars. Hamlet does not scan as Hamletta. Nor does Hans Solo as Hans Sally. Faceman is not the same as Facewoman. Nor does a Stardoe a Starbuck make. Men hand out cigars. Women “hand out” babies. And thus the world for thousands of years has gone’ round.

 

 

While I disagree with what Benedict wrote, I do “respect” that fact that he did not hide behind dog whistles and openly presented his views of women. Someone could, of course, make a good faith criticism of the character change, since the original BSG had female Colonial Warriors, including Viper pilots such as Serina and hence there would seem to be nothing gained by the swap. But Benedict’s “criticism” is not made on aesthetic grounds, but on the grounds that the swap is part of a broader conspiracy to emasculate men and that, apparently, women should be limited to making babies and not piloting fighters. While anti-woke critics often appeal to “realism”, realism is against this sort of “biological realism.” In the BSG series, Battlestar Galactica is leading a refugee fleet of the last known human survivors of the Cylon attack. As such, humanity is in dire straits and needs everyone to participate in the fight. This situation is an even more extreme version of what happened in the real-world during WWII: women had to step into “traditional male” roles, such as factory work and even enter combat. This shows, beyond all reasonable doubt, that women can do such “men’s work” as well as men. Ironically, realism is on the side of “the woke” and this sort of attack is sexism and a denial of reality.

In closing, while there can be good faith criticisms about swapping, the claim that “wokeness” is killing art by forcing aesthetically bad swaps has no merit. There can be aesthetically bad swaps and swaps that can be justly criticized as lazy efforts to milk an IP but these do not arise from “wokeness.”  While some “anti-woke” critics might be operating in good faith, Benedict’s example illustrates what seems to drive much of the criticism: bigotry.

The original Mary Sue was created in 1973 by Paula Smith as a parody of Star Trek fan fiction. A Mary Sue character is usually presented as inexplicably competent, possessing special talents or powers, enjoying the admiration of others, lacking in weaknesses and flaws, attractive, and virtuous. A Mary Sue is usually a young woman, but there are male versions called “Gary Stu” or “Marty Stu.” While a Mary Sue is often a self-insertion by an author, in the “woke wars”, she is often claimed to be inserted into a work because of “wokeness.”

While a Mary Sue character will not always harm the aesthetic value of a work (after all, Superman seems to be a paradigm Gary Stu), they can cause problems. Such a character can seem implausible to the audience, they can overshadow other characters in a harmful way, and their capabilities can make their inevitable success seem unsatisfactory. As such, a Mary Sue (or Gary Stu) character could harm a work. But how does this connect to the claim that “wokeness” is killing art?

Given that the Mary Sue character is usually a woman, the usual anti-woke criticism is that the female Mary Sue was created as part of “the message” and “woke ideology.” That is, those who decide to include the Mary Sue character are making the work worse in service to their wokeness—thus, it is claimed, “wokeness” hurt the work. But, of course, a work could include a Mary Sue or Gary Stu for non-ideological reasons and be bad—so even if a character is a badly written Mary Sue, evidence would be needed that the inclusion is the result of ideology and that this ideology is “woke.” Even in such a case, the work would be bad because of the badly written character—unless it is simply assumed or shown that wokeness necessitates writing bad characters or, at least, meaningfully increases the likelihood.

Not surprisingly, the Mary Sue label is often applied by anti-woke critics to characters who do not seem to fit the definition. For example, Naru in the Predator movie Prey does not seem to be a Mary Sue. While she is competent, she earns this competence and while there are implausible elements, they are all well within those that should be expected in an action movie in the science fiction genre. Despite this, the movie was attacked based on the claim that Naru is a Mary Sue. While such critics might be using the term for its rhetorical value, it is worth considering why they would consider a competent female character to be a Mary Sue when such a character, as noted above, operates well within the usual parameters of a science fiction action films. The most relevant comparison is, of course, to the original Predator. Given her background as a hunter, Naru’s capabilities and actions are as plausible as those of Dutch (played by Arnold Schwarzenegger) given his background as an elite soldier. While both characters effectively use their intelligence, Dutch relies more on his physical strength—although he is outclassed by the predator in this area. It can be argued that the films do have unrealistic elements (aside from the Predator), such as how Dutch is able to beat the Predator when that same Predator effortlessly slaughtered its way through the movie up until that point. But that is the “reality” of this sort of science-fiction action movie and hence attacking Naru for being an action hero in an action film would say more about the ideology of the critic than the “wokeness” of the film. But someone is likely to say, it is realistic for Dutch to be the action hero because he is a man and not for Naru, since she is a woman.

Films, games, and shows with strong female characters are often attacked for being “woke” even when those characters are clearly not Mary Sue characters. The usual criticism is that a strong female character is written as an action hero capable of doing things like defeat men in hand-to-hand combat. This is seen by the critic as making the work worse and as resulting from the “woke ideology” of those responsible for the character. The criticism is based on a view of “biological realism”, since the usual criticism is that women are, on average, physically weaker than men. Thus, the critic reasons, a female action hero of this type is unrealistic, is included as part of “the message”, and harms the work through being unrealistic.

The easy and obvious reply to this criticism is that it is just an expression of sexism. After all, action movies are usually power-fantasies and these same critics generally do not apply this “biological realism” critique to action films with a male action hero doing things that are “biologically” unrealistic even for the most capable men in the real world. For example, they do not attack the John Wick movies on the grounds that John Wick’s abilities are unrealistic and blame some sort of nefarious ideology for ruining the film. Their “criticism” seems to be that they are mad when women can have a power fantasy about a female character of the sort that men enjoy about male characters. This just shows that “wokeness” is “ruining” the work for them because of their ideology, not because of an aesthetic flaw in the work.

 To consistently apply the “realism” criticism would not be a criticism of “wokeness” but a criticism of how realism is bent or broken in many genres—which would be, it seems, to say that action, fantasy, and science fiction would often be “bad” because of how their heroes deviate from the limits of mundane biology.

Interestingly, the anti-woke critics who make use of the Mary Sue criticism and the “biological realism” criticism do not apply this criticism to Ripley in Alien and Aliens or Sarah Conners in the Terminator movies (and other works). I certainly agree that Ripley and Sarah are not Mary Sue characters—their competence is both earned in the film worlds and plausible. But they are certainly both strong female leads acting in ways that anti-woke critics of today should be attacking, yet they generally do not. A plausible explanation is that these films are so well-established as being good, attacking them as “woke” would do nothing but undermine the claim that wokeness ruins works of art. This does seem to be a general theme: a bad work is attacked as woke and used to “prove” that wokeness made it bad, but good works that seem to have “woke” qualities (diverse casts, strong female leads, liberal values, etc.) have their “wokeness” explained away or simply ignored.  It might also be that these films are older, and past works might be protected by the haze of nostalgia.

A sketch of human faces, Not so long ago, diversity in works of art was criticized as the result of political correctness (PC). The current manifestation of this criticism targets Diversity, Equity, and Inclusion (DEI) Such criticisms can be about the content of the work, about the casting, or about the people involved in the creation of the work.

In terms of criticism of content, the obvious claim is that DEI content harms a work of art. This could be, as discussed in the previous essay, because the ideology comes at the expense of aesthetic quality, or it could be a claim that DEI content is inherently bad. But this is not an aesthetic judgment, but an ideological judgment and falls under the non-aesthetic areas of value theory such as ethics and political philosophy.

In terms of criticism focused on the cast of characters, this criticism can be of in-world characters or real-world casting choices. In-world criticism is aimed at the identity of the characters in the world of the work of art while real-world criticism is aimed at the identity of the actors portraying (or voicing) the in-world characters. In many cases, in-world and real-world identities are the same, such as when an African American woman plays the role of an African American woman character. In other cases, the identities can be different, such as a gay actor playing a straight character or a white actor portraying an Asian or Black character. And, of course, there is the famous fact that in early British theatre males played the female roles.

Both in-world and real-world criticisms focus on the qualities such as ethnicity, gender, and sexual orientation of the characters or cast. One stock criticism includes claiming a work is somehow harmed by having a diverse cast of characters that the critic sees as somehow inappropriate. For example, a critic might emphasize that white people are either a minority or absent in the work. Interestingly, for those who see diversity as part of the aesthetic value of a work, a good faith argument can be made that unfairly excluding, for example, white, straight men from a work of art would harm the diversity and hence the aesthetic value of the work. But this, of course, rests on the assumption that diversity is a good—which would be a “woke” assumption. As such, the anti-woke critics would be hard pressed to make a good faith criticism of such exclusion. Their own opposition to diversity would seemingly justify such exclusion.

The most benign interpretation of the anti-diversity criticism is that anti-woke critics are accustomed to the less-diverse works of their youth and are responding negatively to this change. They are, in effect, upset that the people in movies, TV and video games don’t look like they did when they were kids. This is, of course, not an aesthetic criticism beyond “I don’t like this.”

Perhaps the least charitable interpretation is that this criticism taps into the ideology of the Great Replacement Theory. In general terms, this is the conspiracy theory that white people are being intentionally demographically and culturally replaced by non-white people. On this view, increasing diversity of casts (characters and actors) would be evidence of this replacement. This is, of course, not an aesthetic concern but one of ideology.

A similar, but less extreme, interpretation is that the anti-woke critics believe that the increasing diversity of characters and actors inflicts an economic harm on white actors and most especially white male actors. This argument does have some theoretical appeal. Historically, movies and television in the United States were dominated by white actors and white male actors. Whites even played many non-white roles (known in two manifestations as yellowface and blackface). This meant that white actors did not need to compete against non-white actors. As roles began to open for non-white actors, this could be seen as roles being closed to white actors. On the extreme side, white actors are unlikely to be cast in yellowface or blackface roles these days, which is a loss of roles. On the less extreme side, an anti-woke critic could argue that too many roles are being taken away from white/straight/male people and given to diversity hires. There are, of course, those who claim they cannot get hired because they are white/straight/male. While complaints about there being too much diversity are nothing new, these complaints are consistently made in the face of the facts: the diversity in the media does not match the diversity in the population. Also, as of 2023 white men are still getting most of the big Hollywood film roles. While some might doubt the statistics, this is easy enough to check if one has the time: grind through the casting of movies on IMDB.

This does lead to a question of concern to the “woke” and “anti-woke”: how diverse should hiring be in this (or any) context? But as an economic concern about employment opportunities, this takes us far from the claim that wokeness is making art worse as art.

In terms of making the connection between DEI “wokeness” and aesthetic harm, one stock argument is based on the claim that DEI hiring results in the employment of less capable people. This claim is connected to the reasonable premise that less capable people working as actors, writers, producers, directors, programmers, and such will tend to result in an inferior aesthetic product. Therefore, it is concluded, DEI hiring will result in an inferior aesthetic product. Or, in pop terms, “woke” DEI hiring will kill art.

The second premise is reasonable: the quality of a work of art, such as film, is causally linked to the capabilities of the people involved in its creation. While skilled people can fail and thus produce a bad work of art, they will generally produce better works than those with inferior skills. The movie Lady Ballers illustrates this nicely: a cast consisting mostly of conservative pundits and inexperienced actors directed by Daily Wire CEO Jeremy Boreing would have a hard time matching the performance of more skilled and experienced actors, directors, and writers. The film turns out to be what one would expect, given the talent and experience levels involved. It also serves as an ironic example of what happens when a work is focused on an ideological message first.  But what about the claim that DEI hiring results in the employment of less capable people?

This is, of course, the same criticism used against affirmative action and is based on the same assumptions about identity and competence. That is, it is assumed that certain people (usually straight, white males) are superior to other people and that if someone else is hired, it is likely to be an unmerited DEI hire. After all, it is assumed, a merit-based hiring would result in the right sort of person (usually a straight, white male) being hired because of their superiority. In blunt terms, this anti-woke criticism seems to be based on racism and sexism. One could reply by insisting that this view is not racism or sexism because the superiority is real, but that would seem to only serve to remove all doubt about the racism and sexism behind the criticism. And if it is not claimed that diversity hires are inferior because of the identity of those hired, the criticism of DEI “wokeness” falls apart: without an assumption of the inferiority of some and the superiority of others based on race, sex and so on, it cannot be claimed that a diversity of hiring would entail an inferior aesthetic work. As such, the anti-woke criticism of DEI rests, unsurprisingly, on what seem to be racist and sexist assumptions.

 

 

Back when the Prius and other hybrids went on the market, some anti-environmentalists expressed their opinion by rolling coal (humorously dubbed “Prius repellent”).  The animosity against hybrids seemed to fade somewhat but the arrival of commercially viable electronic vehicles has sparked a new current of anger.  

I first noticed this on Facebook in the form of cartoons and memes posted about EVs. The cartoon usually showed an EV with an extension cord connected to a smoke-belching powerplant and the memes made a similar point. This struck me as odd since I knew the people doing the posting were generally pro-fossil fuel, anti-renewable energy, and skeptical about climate change. Given their professed views, if electric vehicles ran on electricity generated by dirty fossil fuels, that should either be a matter of no concern or even a plus.

While I have seen people posting in a similar manner against renewable energy, after Trump (a noted hater of wind turbines), I noticed posts attacking wind power on the grounds that it kills birds. When posted by people who never showed any other concern for the environment, this also seemed odd.

Most recently, I have seen posts critical of electric cars and electric stoves that reference the sorry state of the American electrical system. This also seemed odd, since improving the electrical grid never seemed to concern these folks in the past.

Given that these posts on social media were consistent in their posting points and they occurred at roughly the same time, I decided to determine what was behind this. I also wanted to investigate the facts of the matter. This led me away from cartoons and memes to in depth and often thoughtful writing.  I’ll start by looking at EVs.

The cartoons showing EVs linked to smoking powerplants do draw attention to a real concern and there are at least two other major concerns about these vehicles. Tilak Doshi, who “worked in the oil and gas sector as an economist in both private industry and in think tanks” wrote an informative essay for Forbes about the dirty secrets of EVs. While you should read the article for the details, he raises three main concerns about EVs.

The first is that the manufacture of an EV will typically result in significantly more environmental harm than the manufacture of a comparable fossil fuel burning vehicle. This disparity arises largely from the batteries used in the EV. As the media outlets who got the memo have hammered home, the batteries in EV are their dirty secret. Getting back to the cartoons I mentioned, Doshi also points out that if an EV gets its electricity from a dirty power source, like a coal-fired power plant, then it can be meaningfully more polluting than a conventional vehicle. Third, Doshi points out a problem that has been well known in the broader technology context for a long time: the mining of lithium is linked to significant harms to people beyond the environmental damage.

While I am not an expert on any of this, these claims are supported by reputable sources across the political spectrum. As such, I agree that the manufacture of these EVs is currently more polluting than manufacturing conventional vehicles, although this is clearly something that can be addressed. I also agree that powering EVs (or anything else) from dirty fossil fuel sources is a harmful way to generate electricity. And, of course, the human cost behind the manufacturing of these batteries is high and needs to be addressed. Now, let us move on to wind turbines and solar.

Trump, who hates wind turbines, consistently makes the true claim that windmills kill birds. Studies from 2013 and 2014 estimated that they killed 140,000 to 679,000 birds. The number killed is presumably higher now, due to an increase in wind turbines. As noted above, many people who oppose renewable power use the death of birds as a premise in their argument against it. They also refer to, correctly, that solar and wind power come with manufacturing and disposal issues that cause environmental harm.  

While not an expert on wind turbines and solar power, these claims are well supported and I have no reason to doubt that wind turbines kill birds or that renewable energy creates an environmental impact—after all, these turbines and panels need to be manufactured and eventually disposed of.

While some people might be tempted to reject claims from Trump and others who oppose renewable energy because they do not like these people, that would be a mere ad hominem. Also, to reject what people connected to the fossil fuel industry say about EVs and renewables because they have a stake in the matter would be another mere ad hominem. One should, of course, be wary of bias but this is not proof that someone is wrong. Likewise, if someone profits from EVs or renewable energy or is associated with them, it does not follow that they are wrong in their claims. That said, this approach taken to criticize EVs and renewables has made me both suspicious and curious. After all, these seem to be what are usually liberal arguments grounded on what appears to be professed concern about the environment, climate change, human rights, and worker exploitation. Why would, for example, a person known to be pro-fossil fuel, anti-renewable energy, and skeptical about climate change post a cartoon that seems to be criticizing EVs on the grounds that they contribute to fossil fuel pollution? Why would people with links to the fossil fuel industry make such arguments against EVs and renewable energy? Why would people who normally seem to lack concern about energy generation killing birds be so concerned about bird deaths?  While one can never know for sure what is in another’s mind, there are certainly reasonable claims that can be made.

One hypothesis is that these people do have concerns about the environment (and human rights) but the scope of their concern is extremely narrow. That is, they are only concerned about the environmental (and human) harm caused by EVs and renewable energy.

The fact that wind generated energy kills 0.269 birds per gigawatt-hour of electricity produced, compared to 5.18 birds killed per gigawatt-hour of electricity from fossil fuel projects does not concern them. We do not, for example, see Trump lamenting the birds killed by fossil fuel projects.

The fact that expanding public transportation and redesigning cities would reduce the need for both EVs and conventional cars does not seem to concern them, for they seem laser focused on the pollution created by EVs. Also, those posting the power plant cartoons do not post cartoons showing these EVs connected to renewable energy—something that would seem to address their criticism of EVs running on dirty power. Those rightly pointing out that the awful US power grid and the wiring of many houses will not be able to handle an increase in EVs and electric stoves do not mention that this challenge can be addressed with renewable energy and a meaningful investment in public infrastructure.

It is certainly possible that these people are making a good faith criticism of EVs and renewable energy based on their very focused and limited concern about the harm done by EVs and renewable energy. But this seems like a rather odd view; like only being concerned about deaths caused by colon cancer and having no concerns about all other cancers (and worse, being a proponent of some other types of cancer). After all, if the harm caused by EVs and renewable energy are bad, these same harms produced by conventional vehicles and fossil fuels would also be bad. But perhaps these folks do not have a narrow scope of concern; perhaps this is a rhetorical tactic being used against people who are more broadly concerned about the environment and harm to humans. This tactic can be called a “false concern argument.”

A false concern argument involves using as a premise or premises (which might be unstated) a concern that the person making the argument does not have and doing this in bad faith. While it is reasonable to craft an argument that will appeal to the concerns (and values) of your target audience, the problem with the false concern argument is the bad faith aspect: the person making the argument does not share the concern that they are intentionally exploiting in the argument.

Going back to the EV cartoons and other criticisms of EVs, the implicit argument seems to be as follows:  Because EVs are recharged from electricity generated by dirty fossil fuel plants, they are not good for the environment. Since you (the target of the cartoon) care about the environment, you should not buy an EV (or you should oppose them). Likewise for arguments involving the harms stemming from their manufacture.

In the case of wind and solar, the argument is built around the idea that because of the harm to birds (wind) and the environment (both), people concerned about birds and the environment should oppose solar and wind.

If we consider only the arguments in isolation, the reasoning can be good, and the premises can be plausible. As noted above, there are real concerns about EVs and renewable energy that give a person who cares about the environment (and people) reasons to be concerned about both. That said, someone who is concerned about the environment (and people) would also consider ways in which these real harms could be mitigated (such as recycling batteries) and would also compare these harms to those generated by the alternatives (such as fossil fuel energy). We can and should have good faith discussions about the harms of EVs and renewable energy. But bad faith cartoons, essays and arguments do not help.

As also noted above, rejecting these criticisms because of who makes them or because they are believed to be acting in bad faith would be to fall into fallacious reasoning. But what, then, is my criticism of these bad faith arguments and what is the problem with false concern arguments?

In terms of why these posts and arguments are in bad faith, there is the fact that they are generally made by people who are generally pro-fossil fuel, anti-renewable energy, and skeptical about climate change. They also usually do not seem overly concerned about birds in other contexts. Also, many criticisms of EVs and renewables comes from people in the fossil fuel industry and those who are paid to protect it. Again, this does not mean that their arguments are wrong, it is just that they are unlikely to be making these arguments from an anti-fossil fuel, pro-renewable energy, climate-change accepting world view. That is, they are most likely not concerned about fossil fuel pollution, climate change, etc. If they were, they would post and make criticisms about fossil fuel-based pollution and not limit their concern to EVs and renewable energy. This is to say, they do not have the concerns that their cartoons and arguments rest upon—they do not believe their own key premise(s). The person who posts the cartoon of the EV is most likely not opposed to the fossil fuel plant in their cartoon—they do not, for example, post critical cartoons of conventional cars driving past oil refineries and oil leaks from ships, wells, trains, and pipelines. What, then, are they doing?

A somewhat lazy explanation is that the cartoon posters and others are trying to “own the libs” by shoving in their faces the fact that EVs are a source of pollution. Liberals are supposed to love EVs and renewables, so this is a way to mock them. This does have some appeal as an explanation in some cases, but does not explain well written attacks on EVs that lay out evidence and maintain a reasonable tone.

While this is speculation, they seem to be well-crafted bad faith arguments intended to persuade pro-EV and pro-renewable energy people to change their minds in favor of conventional vehicles and fossil-fuel. Or at least raise doubts. I say they are (probably) bad faith because they make their case by writing as if environmental harm is bad (when caused by an EV or renewables), but do not extend this principle to fossil fuels and conventional vehicles.  For example, Tilak Doshi offers an in depth criticism of EVs, but if you look at his other essays he does not offer such harsh criticism on the same principles of conventional vehicles (or fossil fuels). In this case, the problem with their bad faith argument is, once again, that they do not seem to believe what they are arguing.

Fairness does require that I consider an alternative: they are not basing their arguments on a professed or implied false concern but are trying to prove to supporters of EVs and renewable energy that these are bad like conventional cars and fossil fuels. That is, they all do harm to the environment and people.

But this also leads to an obvious question: if they believe that EVs and renewable energy are bad like conventional vehicles and fossil fuels, why would they oppose them, given that they are not seem concerned with these harms? After all, if a coal-fired plant does not bother a person, then an EV powered by that plant should not bother them either. If fossil fuel plants killing more birds than wind power does not bother them, why should wind turbines killing fewer birds bother them? If the harm to people from the fossil fuel industry does not concern them, why should this harm concern them when it comes to EVs and renewable energy? As such, the harm arguments they make would seem to be in bad faith—they do not seem to care about the harms. Given this, a reasonable explanation is that one motivating factor behind these criticisms (and the cartoons arising from them) is that it is an attempt by the fossil fuel industry to harm a competing industry through a propaganda campaign. This campaign does seem to be having some effect, if only in the proliferation of attacks on EVs and renewable energy on social media.

 

While transgender athletes have been competing for some time (the NCAA established its policy on transgender athletes in 2010), they have recently been dragged into the culture wars. In 2020, only Idaho had restrictions on transgender athletes. By 2023, 23 states had put restrictions in place.

When politicians and pundits argue in favor of such restrictions, they usually make an appeal to fairness rather than openly appealing to prejudice. In many cases, they seem to be arguing in bad faith—they only seem to be concerned about women and girls being treated fairly in this specific context. State legislatures could have, for example, ratified the Equal Rights Amendment during the same session they passed their restrictions on transgender athletes. As such, it is reasonable to infer that these laws are not about fairness. But can a good faith fairness argument be made for restricting transgender athletes?

The obvious place to begin in making such an argument is by pointing out that sports have well-established competition categories that are at least partially based on facilitating fair competition. For example, high school teams do not compete against college teams or professional teams. Such competition would be unfair. As another example, running has established age-based competition categories. This is because people generally decline in their athletic ability as they age, so the average 65-year-old runner will be slower than the average 20-year-old runner. As a final example, some sports have categories based on the size and weight of the athletes. It would generally be unfair if a 100-pound athlete had to wrestle or box a 220-pound opponent. While imperfect, such categories do seem to be morally justified in terms of their goal: they do make competition fairer. These categories are gender-neutral, but the concern about transgender athletes is obviously about gender.

In general, sports have two gender categories: male and female. While there are various reasons for these categories, it can be argued that fairness is an important one. In general, male athletes have an advantage over female athletes, and not having these categories would put female athletes at a disadvantage in terms of earning a place on a team or in competition. As would be suspected, few athletes are in favor of getting rid of these categories. But what about athletes being able to change their category?

Transgender athletes are athletes who do just that. Given that male athletes have an advantage over female athletes, there is a reasonable moral concern that a male athlete who transitions to being a female athlete will thus have an unfair advantage. Parents, seemingly in good faith, express the worry that their daughters will be unable to get on a sports team or will lose out on awards and scholarships because transgender athletes will take their place, their awards, and their scholarships.

On the face of it, this concern might not seem unreasonable, and most people who express it also claim they otherwise support the rights of trans people. One obvious practical question is about the likelihood that this will happen. While the exact percentage of people who are trans is unknown, it is likely to be very small. Given that most students are not competitive athletes, the number of trans athletes will presumably be tiny. There is also the fact that the trans athlete will need to be better than the parent’s daughter. Considering all these factors, the chances that a trans athlete will take a spot, award, or scholarship from a concerned parent’s daughter is vanishingly small. They are vastly more likely to lose that spot, award, or scholarship to an athlete who is not trans but is a better athlete.

While the parents who are concerned about trans athletes taking from their daughters would presumably be upset if their daughter lost out to a non-trans female athlete, they would generally not claim that this was unfair. While this seems reasonable, it also seems a bit inconsistent. After all, they believe that if a trans athlete is better than their daughter, then it would be unfair for them to compete against their daughter. But if a non-trans athlete is better than their daughter (even because of her superior anatomy and physiology), then this would be fair. As such, the parent must hold that it is not having an advantage in anatomy and physiology that is unfair but having that advantage for a specific reason—being a trans athlete.

Imagine, if you will, two athletes who are identical in their abilities, but one, Sally, is trans, and the other, Ann, is not. Imagine that Sally and Ann beat Jane, who is not trans. It would seem odd to claim that Ann beating Jane was fair but that Sally beating Jane was not, simply because Sally is trans. After all, she has the same abilities as Ann. One could reply that the source of the advantage does matter—that Sally got it from being born with certain advantages that began as belonging to a male and that Ann got the same exact advantages, but they arose from a person who was born female. The challenge is, of course, making a case for this. A second reply is to switch back to the general: that even though individual athletes will vary, in general, trans athletes who were male will have a significant advantage, and thus it would be unfair to allow them to compete because of the harm that would be done to non-trans female athletes.

In the case of the worry about being bumped from the team, there is an easy solution at the K-12 level: teams can be expanded to include everyone who wants to compete and who can meet the basic requirements of the sport. Many teams already work this way. The concern about awards and scholarships is a bit more challenging, but the NCAA already addressed these worries back in 2010 with their policies. These are designed to address concerns about the fairness of competition, and while they are imperfect, they do seem to ensure that the competition is as fair between trans athletes and non-trans athletes as it is between non-trans athletes and non-trans athletes. After all, some non-trans athletes have anatomical and physiological advantages over their non-trans fellow athletes, and this is accepted as fair. There are also policies in place at the Olympic and professional levels that address the concerns about fairness.

In closing, it is reasonable to be concerned about fairness in sports. But in the case of transgender athletes, this is a matter that was already addressed before politicians and pundits decided to make it into a new front in the culture wars. As such, while a person might make the fairness argument in ignorance, if they persist in the face of the facts then their concern is not about fairness.