Since his creation, James Bond has been a white man. Much to the delight of some and to the horror of others, there were serious plans to have a black actor play James Bond. There has even been some talk about having a female James Bond. While racist and sexist reasons abound to oppose such changes, are there good reasons for James Bond to always be a white man? Before getting into this discussion, I will first look at the matter of the 007.
While James Bond has been known as 007, this is his agent designation and there are other 00 agents. This is like the number used by an athlete on a team. As such, while James Bond has been 007, another person could replace him and get that number, just the person who was 23 on a baseball team could retire and someone else could get that number (although teams do retire numbers). Within the James Bond universe, it would make sense for someone who is not a white man to get the 007. This could occur for any number of in universe reasons, most obviously that James Bond is not immortal and would eventually be too old or dead to remain 007. From an aesthetic standpoint, it would be interesting to see a Bond timeline in which time mattered, a Bond world in which he grew old, and a new agent took his place. This would have the benefit of keeping Bond relevant to today while also maintaining (in universe) the old Bond. There is, of course, the obvious financial risk: having a new 007 who is not James Bond can be seen as analogous to replacing a star athlete with a new person who gets their number. There is the risk of losing the drawing power. But my concern is with the more interesting matter of whether James Bond must be a white man, so I will leave the money worries to the branding gurus.
One obvious fact about the Bond of the movies is that different actors have played the character. While there are strong opinions about the best Bond, there was little debate about whether a new white man should take the role when the previous Bond aged out of the role or left for other reasons. The actors who played Bond were (in general) accepted as at least adequate for the role and there was no debate about whether the character was James Bond despite the change in actors. That is, there is no general issue with a new actor playing the role. There was also, obviously enough, no effort to explain in the Bond universe the change in Bond’s appearance. I mention this because of another famous character from United Kingdom fiction, Dr. Who. When Dr. Who began, the actor playing the doctor was already old and they ran into the problem of age. They hit on a brilliant solution: Dr. Who regenerates and radically changes appearance, though remaining the same person. This gives the show an interesting feature: continuity of character through changes of actors with an in-universe explanation.
While Bond movies do feature gadgets and plots that border or even cross into science fiction (consider Moonraker), it is unlikely that the Bond cinematic universe would allow for such science fiction devices as alternative realities, such as in Marvel’s What If…? As such, the various Bonds are not explained in terms of being alternative or variant Bonds; they are all the James Bond. Now, if Bond can remain Bond despite the changes of actors, then it would seem that he would remain Bond even if he were played by a non-white actor. After all, if switching from Sean Connery did not mean that Bond was no longer Bond, then changing his race should not do that either. After all, the actors that played Bond are different people, with significant differences in appearance, mannerisms, and voice. Having a black actor, for example, would just be another change of appearance. It would also seem to follow that having a female actor play Bond would also make as much sense; it would just be another change in appearance. But one could attempt to argue that it is essential to Bond that he be a white man. This, of course, gets us into the notion of essential properties.
In philosophy, an essential property (to steal from Aristotle) is a property that an entity must have or cease to be that thing. In contrast an accidental property is one that it does have but could lack and still remain that thing. To use a simple example, it is essential to a triangle that it be three-sided. It must have three sides to be a triangle. But the size and color of a triangle are accidental properties; they can change, and it will still remain a triangle. So, the relevant issue here is whether being a white man is essential to being James Bond or merely accidental. Given all the changes in actors over the years, there are clearly many properties that Bond has accidentally as they can change with the actors while the character is still Bond. One advantage of a fictional character is, of course, that the author can simply decide on the essential properties when they create the metaphysics for their fictional world. But, of course, the creator of Bond did not do that, so we need to speculate using various metaphysical theories about our world. That is, would a person changing their race or gender result in the person ceasing to be, just as changing the sides of a triangle would make it cease to be a triangle? On the face of it, while such changes would clearly alter the person, they would seem to retain their personal identity. If this is true, then James Bond need not be a white man. But more will be said in the next essay.

In philosophy, the classic problem of universals is determining in virtue of what (If anything) a particular individual is a member of a category. Some philosophers, such as
This contains many spoilers. When I first saw the trailer for The Tomorrow War my thought was “I wonder who that discount Chris Pratt is?” When I realized it was the actual Chris Pratt, my thought was “he must really need money.” Yes, it is exactly that kind of movie. I will start with some non-philosophical complaints and then move on to what is most interesting (and disappointing) about the flick: time travel.
As a runner, I have often imagined what it would be like to have super speed like the Flash or Quicksilver. Unfortunately for my super speed dreams, Kyle Hill has presented the 
Dice (unloaded) seem a paradigm of chance: when rolling a die, one cannot know the outcome in advance because it is random. For example, if you roll a twenty-sided die, then there is supposed to be an equal chance to get any number. If you roll it 20 times, it would not be surprising if you didn’t roll every number. If you rolled the die 100 times, chance says you would probably roll each number 5 times. But it would not be shocking if this did not occur. But if you rolled a thousand or a million times, then you would expect the results to match the predicted probability closely because you would expect the
One approach to time travel is to embrace timeline branching: when someone travels in time and changes something (which is inevitable), then a branch grows from the timeline. This, as was discussed in the previous essay, allows a possible solution to the grandfather paradox. But it also gives rise to various problems and questions, such as the need to account for the creation of a new universe for each timeline branch. The fact that these universes are populated also creates a problem, specifically one with personal identity. Since I used the grandfather paradox as the context previously, I will continue to do so.
The grandfather problem is a classic time travel problem. Oversimplified, the problem is as follows. If time travel is possible, then a person should be able to go back in time and kill their grandfather before they have any children. But if they do, then the killer would never exist and would not be able to go back in time and kill their grandfather. So, their grandfather would not be killed and they would exist and be able to go back in time and kill him. But if they kill him, then they would not exist. And so on. There have been attempts of varying quality to solve this problem and one is to advance the notion of timeline branching. The simple version is that time is like a river and travelling back in time to change things results in the creation of a new branch of the river, flowing onward in a somewhat different direction.
In sci-fi people upload their minds to machines and, perhaps, gain a form of technological immortality. Because of the obvious analogy to the way computer memory works, it is appealing to take uploading the mind as uploading memories. In fiction, the author decides whether it is the same person or not, but philosophers need to argue this matter.
George enjoyed and hated the privileged position of being the grandson of Edgar the Tyrant, the man who had killed his kindly brother Sam. Edgar had conquered the Seven Systems with alien technology and established the most crushing despotism in human history. Like his grandfather, George was a brilliant scientist with a special talent for understanding alien technology. Unlike his grandfather, George was burdened with ethics and compassion. After discerning the secrets of an alien time machine, George nobly decided to sacrifice himself by going back in time and killing his grandfather before he discovered the trove of alien technology that enabled his reign of terror.