Some ages get cool names, such as the Iron Age or the Gilded Age. Others have less awesome names. An excellent example of the latter is the designation of our time as the Awkward Age. Since philosophers are often willing to cash in on trends, it is not surprising that there arose a philosophy of awkwardness.
Various arguments have been advanced in support of the claim that this is the Awkward Age. Not surprisingly, one was built on the existence of so many TV shows and movies centered on awkwardness. There is a certain appeal to this sort of argument and the idea that art expresses the temper, spirit, and social conditions of its age is an old one. I recall, from an art history class I took as an undergraduate, this approach to art. For example, the massive works of the ancient Egyptians are supposed to reveal their views of the afterlife as the harmony of the Greek works was supposed to reveal the soul of ancient Greece.
Wilde, in his dialogue “The New Aesthetics” considers this. Wilde takes the view that “Art never expresses anything but itself.” Naturally enough, Wilde provides an account of why people think art is about the ages. His explanation is best put by Carly Simon: “You’re so vain, I’ll bet you think this song is about you.” Less lyrically, the idea is that vanity causes people to think that the art of their time is about them. Since the people of today were not around in the way back times of old, they cannot say that past art was about them—so they claim the art of the past was about the people of the past. This does have the virtue of consistency.
While Wilde does not offer a decisive argument, it does have a certain appeal. It also is worth considering that it is problematic to draw an inference about the character of an age from what TV shows or movies happen to be in vogue with a certain circle (there are, after all, many shows and movies that are not focused on awkwardness). While it is reasonable to draw some conclusions about that specific circle, leaping beyond to the general population and the entire age would be quite a jump. There are many non-awkward shows and movies that could be presented as contenders to defining the age. It seems sensible to conclude that it is vanity on the part of the members of such a circle to regard what they like as defining the age. It could also be seen as a hasty generalization—people infer that what they regard as defining must also apply to the general population.
A second, somewhat stronger, sort of argument for this being the Awkward Age is based on claims about extensive social changes. To use an oversimplified example, consider the case of gender in the United States. The old social norms were presented in terms of two roughly defined genders and sets of rules about interaction. Or so the older folks say to the kids of today. Such rules included that the man asked the woman out on the date and paid for everything. Or so the older folk say. Now, or so the argument goes, the norms are in disarray or have been dissolved. Sticking with gender, Facebook recognized over 50 genders complicates matters. Going with the dating rules once again, it is no longer clear who is supposed to do the asking and the paying. And, of course, this strikes some as a problem that will doom civilization.
In terms of how this connects to awkwardness, the idea is that when people do not have established social norms and rules to follow, ignorance and error can easily lead to awkward moments. For example, there could be an awkward moment on a date when the check arrives as the two people try to sort out who pays: Dick might be worried that he will offend Jane if he pays and Jane might be expecting Dick to pick up the tab—or she might think that each should pay their own tab. Or perhaps Jane is a vampire and plans to kill Dick, albeit awkwardly.
To use an analogy, consider playing a new and challenging video game. When a person first plays, she will be trying to figure out how the game works, and this will usually result in many failures. By analogy, when society changes, it is like being in a new game and one does not know the rules. Just as a person can look for guides to a new game online (like YouTube videos on how to beat tough fights in video games), people can try to find guides to behavior. However, new social conditions mean that such guides are not yet available or, if they are, they might be unclear or conflict with each other. For example, a person who is new to contemporary dating might try to muddle through on her own or try to do some research—most likely finding contradictory guides to correct dating behavior. And also running into bad advice and grifters galore.
Eventually, of course, the norms and rules will be worked out—as has happened in the past. Or, as we get older, we will pretend we worked out the norms and rules. Then we will complain about the youth. This indicates a point worth considering—today is obviously not the first time that society has undergone change, thus creating opportunities for awkwardness. As Wilde noted, our vanity contributes to the erroneous belief that we are special in this regard. That said, it could be contended that people today are reacting to social change in a way that is different and awkward. That is, this is truly the Age of Awkwardness. My own view is that this is one of many times of awkwardness—what has changed is the ability and willingness to broadcast awkward events. Plus we now have AI.

While terraforming and abortion are both subjects of moral debate, they would seem to have little else in common. However, some moral arguments used to justify abortion can be used to justify terraforming.
My core aesthetic principle is that if I can do something, then it is not art. While this is (mostly) intended as humorous, it is well founded—I have no artistic talent. Despite this, or perhaps because of this, I taught Aesthetics for over two decades.
Doubling down occurs when a person is confronted with evidence against a belief and their belief, rather than being weakened, is strengthened.A plausible explanation of doubling down rests on Leon Festinger’s classic theory of cognitive dissonance. When a person has a belief that is threatened by evidence, she has two main choices. The first is to adjust her belief in accord with the evidence. If the evidence is plausible and strongly supports the inference that the belief is false, then it is rational to reject the old belief. If the evidence is not plausible or does not strongly support the inference that the belief is false then it is rational to stick with the threatened belief on the grounds that the threat is not much of a threat.
While asteroid mining is still science fiction, companies are already preparing to mine the sky. While space mining sounds awesome, lawyers are murdering the awesomeness with legalize. Long ago, President Obama signed the
In the previous essay on threat assessment, I looked at the influence of availability heuristics and fallacies related to errors in reasoning about statistics and probability. This essay continues the discussion by exploring the influence of fear and anger on threat assessment.
When engaged in rational threat assessment, there are two main factors that need to be considered. The first is the probability of the threat. The second is the severity of the threat. These two can be combined into one sweeping question: “how likely is it that this will happen and, if it does, how bad will it be?”
Homo sum, humani nihil a me alienum puto.
In Art of the Deal Donald Trump calls one of his rhetorical tools “truthful hyperbole.” He defends and praises it as “an innocent form of exaggeration — and a very effective form of promotion.” As a promoter, Trump used this technique. He now uses it as president.
While the American right favors tax cuts, the left sometimes proposes tax increases. One argument advanced by the right against increasing taxes is the demotivation argument. The gist of the argument is that if their taxes are increased, the rich will become demotivated and this will have negative consequences. Since these negative consequences should be avoided, the conclusion is that taxes should not be increased.